about camilo
camilo garzón is a colombian-american writer and filmmaker and is the founder and creative director behind cuentero productions
Camilo’s recent credits include creative director, voice director, executive producer, writer, audio producer, and audio editor for CIGARETTES UNTIL TOMORROW (2024); executive producer, voice director, co-writer, story editor, audio producer, audio editor, and production consultant for THE INSURGENCE: SHERIFFS (2024); creative director, voice director, executive producer, writer, audio producer, and audio editor for SOROCHE (2024); co-writer, co-producer, co-sound designer, story editor, and re-recording mixer of the short-documentary sports film JUNIOR TU PAPÁ (2024) co-written with and directed by Daniel Díaz, which has screened at True/False Film Fest and Festival Internacional de Cine de Cartagena de Indias, among others; creative and consulting producer for the award-winning audio drama THE VERY WORST THING THAT COULD POSSIBLY HAPPEN (Winner of the Audio Fiction Storytelling Award at Tribeca 2023, nominated for five Ambies 2024, and one Webby 2024) created and directed by Alex Kemp; story editor, co-sound designer, and contributing writer for the non-fiction pilot of NECESSARY TOMORROWS (Official Selection at Tribeca 2023) created and directed by Brett Gaylor; consulting producer, sound recordist, and interviewer for the award-winning short-documentary film LAS MURALISTAS: OUR WALLS, OUR STORIES (2022) edited by Claudia Escobar and directed by Javier Briones, which screened at San Francisco ShortFest, Santa Monica Film Fest, LA Independent Shorts and San Francisco Independent Film Festival, among others; and voice director, lead producer, co-writer, and editor of the award-winning MISSION MURALISMO AUDIO ZINE - VOLUME I (2022), an experimental audio collection in which local writers Olivia Peña and Josiah Luis Alderete interweave their perspectives on the history of the San Francisco Mission Muralismo movement with stories from the muralists themselves. Before Cuentero, he worked with clients like Wolf at the Door, SFMOMA, Skybound Entertainment, and Scientific American, to name a few, and had past lives at NPR and the National Geographic Society.